Category Archives: Composition

Course Contracts in Web Classes

A few years ago I read an article about how professors were using course contracts in their live classes. The argument is that having students sign a course contract outlining course policies and expectations helps to avert discipline problems in class, and provides faculty with a firm ground from which to react when problems arise with students. (I wish I could find the original article to link here, but I can’t, sorry!). The kinds of items that can go on a class contract are: attendance rules, policies regarding tardiness and plagiarism, classroom comportment, etc. I’ve experimented with such contracts over the years and did not like them that much. They really do set an unfriendly tone, and if they make a difference maybe it’s because they scare students. Plus, no one wants to be treated like a criminal, and course contracts can send the wrong message to an entire class when there are only a handful of prospective flakes in it. Be this as it may, the point is that course contracts are a way of making students stop to read the fine print and gain awareness of what is expected of them. By having students sign a document, you ensure they pay attention to your ground rules.

What I have really been enthusiastic about over the past few years is using contracts in my web classes. My favorite version of this is to require students to fill out a course clearance form before being cleared for registration. This is only possible if you have a supportive department chair and office staff willing to work with you on implementing this extra bureacracy. (Below I will speak about an alternative approach to the same concept, one not requiring office staff to manage contracts for the faculty member.)

My course clearance form, which varies from semester to semester depending on my needs, course to be taught and experiences, requires students to initial and acknowledge that:

  • They understand where to go for information about the class (my course announcement page, or bulletin board).
  • They understand that I will send them instructions on when and how to begin in the class to their UTA email address.
  • They understand important requirements.
  • They understand that it is their responsibility to start their web class on time.

The reason I began implementing this is because I was having problems with students not logging on to their web classes until 3 weeks after the start of classes and then pleading ignorance about where to go to begin. Also, students would get anxious and start calling me and our office staff for information about the class, creating extra stress and pressure for everyone involved. Another problem I had was that student expectations of what would be entailed in a web class did not track with mine. The course clearance was a way to make students aware that what they were getting themselves into was a class that would be appropriately challenging. Finally, there are also students who claim ignorance about the importance of having and checking their university email accounts, and the course clearance form helped me avoid the whole “I never check my UTA email, please email me at wackycentipede@coffeebeansEmporium.com”.

I quickly noted a difference after I began using a course clearance form. My students were better across the board and many students who inquired about the class did not end up registering. I had succeeded in doing some weeding out and streamlining my own work flow during the semester.

Here is a copy of one of my course clearance forms.

OK, so what if a course clearance form is not an option for you because asking this of your local department staff is out of the question? The same principles behind my course clearance form can be incorporated into a quiz or assignment that requires students to acknowledge elements of the class and your policies. For example, you can quiz students on your own syllabus, and make it worth 5% of the final grade. The point is, you want your students to know how your class functions and what your expectations are from the outset. This enables you skirt all subsequent discussions of “I did not know that I had to do X” or “Can you please accomodate me with this?” etc. etc. Save your negotiations with students for things that really matter, and take the annoying, piddly stuff out of the equation. Help students internalize your expectations right at the outset, it will make your life easier.

–Christopher Conway

Mobility initiative?

Does anyone know if there is a mobility initiative at UTA? Or does OIT have plans for a mobility initiative?

I’m torn between buying a class set of the iTouch or the iPhone for my Computers and Fiction Writing class and would welcome advice. Might OIT support either? Any sign of daLite lecterns or other kinds of support?

I will talk to the folks at UTD who made such a splash at SXSW to see how they are handling things. (Was anyone there for the presentation?) Their locative media works and initiatives are making waves.

cg

Ego, Passion, Desire, Love, Respect, Relationship, and Attention Span

My reading of the posts in this blog, and the links posted by the writers, got me to thinking and wondering about attention span.

What is the research on long attention span? I find we talk a lot about short attention spans when dealing with lectures. However, people of many ages seem to be able to attend for long periods of time when involved in other tasks: games, sports, creative writing, other kinds of writing, conversation, falling in love and obsessing on the person of one’s focus, mulling over an unsolvable situation – constantly and continually, obsessing on an idea — reading, writing, and talking about it, telling one’s own stories over and over … and over, watching a movie, playing guitar, doing research, partaking of an exciting discussion where we want to jump in.

So what is it about education that puts students to sleep and bores them?

I understand those who state that students do not listen to and absorb ideas in greater than 10-15 minute segments, when those ideas are produced in the form of a lecture. Most of us have experienced students’ nodding off or their attention wandering, as we closely watch what they are taking in when we are talking.

I have also noticed in my German Media on the Web class, taught in a computer classroom, that the computer seems to hypnotize students, and they must literally be pulled away in order to, as a group, attend to small group discussion, or to listen to anything I have to say, or to do a task like providing me with ideas about stereotypes of Switzerland which I can then put on the board for all to see. (My ideal German media on the web classroom: computers, break-out areas for small group or whole class interaction, chalk/white board for brainstorming, and screen for examples and shots of critical websites — also a latte machine.)

So what happens in the brain that makes students nod off or lose the thread when listening to lectures? What makes me nod off when listening to someone? What is it about a computer that hypnotizes students in a face-to-face class with computers in the classroom? And, on the other hand, what makes me attend again to a lecture (if the lecturer is not someone like the great Hans Kellner, who I understand mesmerized students when he was here)?

I’m coming to the conclusion that it has to do with what is happening in the brain and how the brain is processing ideas. It may have to do with tapping in to “expertise” and “experience,” and what we ourselves are bringing to the table. It may have to do with passive reception of authoritative knowledge versus bringing an attitude, an interest, a motivation, an agenda, or previous knowledge and understanding to the task of “listening to a lecture” – or a different frame of reference – different from that of the instructor – SCARY, or doing a different kind of task. It may have to do with choice. It may have to do with having a real reason for attending to ideas. A real reason for attending a face-to-face class. A real reason for attending an online course.

The following story is an example of what I’m talking about:
I recently attended a lecture, and I sat next to a student who was nodding off. I realized that the speaker was very knowledgeable, but that there wasn’t much that students without background knowledge in the field could grasp onto. I realized that I too was a bit bored by it all, until – until I heard the speaker say something that tapped into my understanding and previous knowledge, and that tapped into a new idea (for me) that I began having about the subject matter – an “aha” experience. After that, and for the rest of the lecture, I listened attentively, because I wanted to see if what he said continued to fit into this new framework or frame of reference that was happening in my mind. There was now a reason for listening to the lecture that far surpassed “getting information” from him or “politely thinking about the topic” – a real reason, my reason. The reason for attending had to do with me – not with him. I was having a new thought separate from him, I was enjoying that experience, and I was gleaning the “confidence” fallout from having what I considered a good idea, and I was enjoying making connections! Pleasure!

How do we get away from the fear and the “knowing” that students have about us – that if they say something we do not like, it will affect their grade? Some students don’t care. Others are quiet because of this. How do we avoid being the professor who said, “I don’t know what you think about this poem, [or theory or factoid], and I don’t care”? Even when students frustrate the heck out of us?

So learning theorists and scholars, am I on the right track? Is engagement something much more than attending and “being there” mentally? Is it passion-, desire-, even ego-driven? Is true learning perhaps totally passion-driven? Think of people like Einstein who let everything go in order to think all the time. Is it relationship? Do we hate to interact with profs who disdain us and therefore leave their content behind? Do we love to interact with profs who respect us and become energized and we change our majors because of them? Do we know the difference? (Yes, of course.) Do we as profs love to interact with students where there is mutual respect – they for us and we for them? If we disdain our students, do we sabotage learning? If they disdain us or are afraid of our grading them, how do we change that?

We guide them, compassionately, to the challenge. It is our prompts, our thinking, our interventions that make the difference. But it’s not the punitive and rigid intervention of the past. It has to be something different. Or?

Are these ideas too “affective?” I don’t think so, if we go beyond the surface of what is being said. After all, we are not organisms that are made up of three separate parts: body, mind, and emotions/spirit. We are whole organisms, whose affect plays a great part in our intellectual endeavor: what we choose, why, with whom we interact, and the environment in which we either develop our capacities or kill them, or something in between. “Create an environment in which people can thrive.” How do we do that for all students who are willing, no matter what their background?

Creating Cuaderna Vía

Last summer, Chris Conway and Ignacio Ruiz-Perez approached me about helping them with a new idea they had – a Spanish-language literary journal for UT Arlington students called Cuaderna Vía.  They already had an issue’s worth of content, but needed help producing the tangible journal.

Over those months, we designed and produced a print edition of Cuaderna Vía’s first issue, but I also spent time using Open Journal Systems (OJS), a component of the Public Knowledge Project, to produce our online version, found here:

http://bit.ly/bWrW6c

Cuaderna Vía is not a peer-reviewed journal – but OJS does provide the capability of setting up a peer-review, online journal.  Within the system, as the editor of a journal, you can accept manuscripts, assign reviewers to them, copy-edit them, and produce a completely customized online version of your journal.

It’s not as easy to set up as many Web 2.0 applications out there – you can’t simply log in somewhere and it’s all ready for you.  You will need to assistance of someone with passing knowledge of web database applications (preferably PHP/MySQL).  But beyond the initial setup, it’s a matter of filling in forms to set up your look and feel and routine tasks to operate your journal.

Dr. Conway and Dr. Ruiz-Perez are using it to showcase the work of their students.  I can see OJS providing an excellent learning opportunity for would-be academics – learning first hand how to be a reviewer and how to write an article able to withstand the peer-review process. OJS will also open up student work for the world to see.

Digital Texts in the Composition Classroom, Feb 25th

Early adopters find ways to teach complex concepts, methods and software flying by the seat of our pants to be sure, but buoyed by much early trial and error experience acquired from having taught ourselves. For someone like me, whose field is digital media, I have made that seat-of-the-pants stuff my specialty, and, as a result, I am frequently called upon to teach less-experienced others how to teach using digital tools. One particularly challenging course in the English Department is First Year Composition. It may just be the toughest course to teach well and yet it is most often taught by our least experienced staff: our graduate students.

Those students recently asked me if I would come and lead a workshop for them on digital texts for the composition classroom. These new teachers face tough hurdles trying to retool green students into better writers. Their job gets tougher every year as what constitutes ‘writing’ continues to incorporate more multimodal objects (sound, image, video, etc.). The challenge for them is tougher still because they come from a generation that is often less digitally experienced than their students. Fortunately, in the English Department at least, they are not without resources. I lead a series of workshops on digital literacies, pedagogies, and research methods that give our students some tools for their own teaching up front, but they wanted more specifics that were designed for teaching the ever-so-unforgiving Comp. This workshop will take place on Thursday, February 25th from 12:00 to 1:30 or so in the eCreate Lab, located in Preston Hall 310. Please join us if you think the material might be of interest to you too.

Free, easy-to-use authoring tools that I will be discussing will include:

Voicethread, an online brainstorming tool for discussing texts, including powerpoint, video or screencasts

ccMixter, creative commons-based audio remixes

Piclits, an online tool for adding text to an image

Mixbook, an online scrapbook creator

Glogster, an online interactive poster creation tool

Xtranormal, an online text-to-movie animation creator

and

Animoto (for education version): an automated video creator that sutures narration, images, audio and video together into 30-second ‘trailers’

Drop me an email if you want more information: carolyn (dot) guertin (at) gmail (dot) com. If you come, be prepared to get your hands dirty :-).

Cheers,
Carolyn Guertin
Director, eCreate Lab
Dept of English
https://mavspace.uta.edu/guertin/portfolio/